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Trained at the Valencia Art College Genovés was always an inquiring
painter, concerned both with the need to renovate Spanish art and also
with the function of art and the artist in society.
His firm conviction that art was transforming, and his concern for his
environment lead him to join several important movements in the post war
Spanish art scene: Los Siete (The Seven) 1949, Parpallós (1956) and
Hondo (1960). It was in this last group that presented a new approach to
figurative painting opposing Informalism, that Genovés developed a
style of painting that was expressionist and provocative. (source)
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