likes 
Chambliss Giobbi’s figurative collages work on two 
levels: Firstly, as objects of obsessive psychological and physical 
mutation, and secondly, as testaments to an intense personal courtship 
between artist and model. After a marathon photo session with his 
subject, Giobbi prints thousands of photographs. He then tears the 
prints and glues them, piece by piece, layer upon layer, to create the 
image. What follows is a series of collages on panels. Some pieces are 
flat, while others utilize sculpted forms to create three-dimensional 
surfaces: Each series embodies a reinvention of technique that conforms 
to how Giobbi sees the individual portrayed.
Giobbi’s work is deeply psychological: portraits at
 once linear and composed, then abrupt and splintered. One is left with 
the notion of witnessing a concentrated, virtually operatic compression 
of time, catharsis and myth: an intimate viewing of entropy. (source)
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